Make Love at War? Representing Gender and Memory in the Soviet Estonian Film Dark Windows (Pimedad aknad, Tõnis Kask, 1968)
Jõhvik, Liis
Benefits and Barriers of a Social Marketing Campaign Based on the Example of the Child Helpline
Hiob, Tiina, Soonik, Mart
Volume 6 (2018): Issue 1 (December 2018)
In the Name of Security – Secrecy, Surveillance and Journalism
Lidberg, Johan, Muller, Denis
Australian Media and the Politics of Belonging
Nolan, David, Farquharson, Karen, Marjoribanks, Timothy
Intellectual and Barbarian Figures in Film: The Bear and the Devil
Keevallik, Liina
Heroes and Social Criticism in the Works of Valeria Anderson
Västrik, Riho
Exploring Cross-Media Audience Practices in Two Cases of Public Service Media in Estonia and Finland
Nanì, Alessandro, Pruulmann-Vengerfeldt, Pille
The Branding Potential for the Digital Transmission of Live-Operas to the Cinema: An International Comparison of Estonia and Germany
Roll, Julia, Horst, Sven-Ove
Preference Dimensions of the Estonian Opera-Consumer: A Comparison of the Audiences at Opera Houses and Mediated Opera Performances
Lani, Silja
Volume 5 (2017): Issue 1 (December 2017)
Global Multi-Protagonist Trends in a Local Setting: The Case of Frozen Land and Autumn Ball
Teinemaa, Teet