Make Love at War? Representing Gender and Memory in the Soviet Estonian Film Dark Windows (Pimedad aknad, Tõnis Kask, 1968)
Jõhvik, Liis
Bodily Violence and Resistance in Wojtek Smarzowski’s Rose (Róża, 2011)
Ostrowska, Elżbieta
Volume 6 (2018): Issue 1 (December 2018)
In the Name of Security – Secrecy, Surveillance and Journalism
Lidberg, Johan, Muller, Denis
Australian Media and the Politics of Belonging
Nolan, David, Farquharson, Karen, Marjoribanks, Timothy
Intellectual and Barbarian Figures in Film: The Bear and the Devil
Keevallik, Liina
Heroes and Social Criticism in the Works of Valeria Anderson
Västrik, Riho
Preference Dimensions of the Estonian Opera-Consumer: A Comparison of the Audiences at Opera Houses and Mediated Opera Performances
Lani, Silja
Exploring Cross-Media Audience Practices in Two Cases of Public Service Media in Estonia and Finland
Nanì, Alessandro, Pruulmann-Vengerfeldt, Pille
The Branding Potential for the Digital Transmission of Live-Operas to the Cinema: An International Comparison of Estonia and Germany
Roll, Julia, Horst, Sven-Ove
On the Links between Caricatures and Animated Films in Communist Eastern Europe
Pikkov, Ülo
Global Multi-Protagonist Trends in a Local Setting: The Case of Frozen Land and Autumn Ball
Teinemaa, Teet