Volume 6 (2018): Issue 1 (December 2018)
The Map to Estonian Stars: Interviews with the Masters of Estonian Film, Theatre and Life
Teinemaa, Teet
Representation and Ruination under a Soviet Shadow: Wajda, History, and Chris Marker’s Re-thinking of Tarkovsky’s ‘Zone’
Coates, Paul
In the Name of Security – Secrecy, Surveillance and Journalism
Lidberg, Johan, Muller, Denis
Australian Media and the Politics of Belonging
Nolan, David, Farquharson, Karen, Marjoribanks, Timothy
Preference Dimensions of the Estonian Opera-Consumer: A Comparison of the Audiences at Opera Houses and Mediated Opera Performances
Lani, Silja
Intellectual and Barbarian Figures in Film: The Bear and the Devil
Keevallik, Liina
Heroes and Social Criticism in the Works of Valeria Anderson
Västrik, Riho
On the Links between Caricatures and Animated Films in Communist Eastern Europe
Pikkov, Ülo
Exploring Cross-Media Audience Practices in Two Cases of Public Service Media in Estonia and Finland
Nanì, Alessandro, Pruulmann-Vengerfeldt, Pille
The Branding Potential for the Digital Transmission of Live-Operas to the Cinema: An International Comparison of Estonia and Germany
Roll, Julia, Horst, Sven-Ove
Global Multi-Protagonist Trends in a Local Setting: The Case of Frozen Land and Autumn Ball
Teinemaa, Teet