From Visuality to Visibility: Regime, Capital, Media
Gaižutytė-Filipavičienė, Žilvinė
Authenticity/Genuineness/Truth (Zhen 真 ) in Chinese Traditional Art Theories and Aesthetics
Poškaitė, Loreta
Peculiarity of the Origins of Chinese Historiography of the Fine Arts
Andrijauskas, Antanas
Volume 16 (2020): Issue 1 (December 2020)
Personal Photo Album and Collective Memory: The Case of Romualdas Požerskis’ Photographs and Diary
Pabedinskas, Tomas
Sharpening the Haze
Giulia Carabelli, Miloš Jovanović, Annika Kirbis, Jeremy F. Walton
Variance in Approach Toward a ‘Sustainable’ Coffee Industry in Costa Rica
Melissa Vogt
An Inquiry into the Theory of the Matrix: Subjectivity, Gaze, and Desire in Kristina Inčiūraitė’s Video the Meeting (2012)
Romanskaitė, Diana
Origin, Types, and Functioning of Chandeliers with Serpent Arms: From the Netherlands to Lithuania
Valtaitė-Gagač, Alantė
Death and Violence in Contemporary Theatre, Drama, and Novel (Oliver Frljić, Anja Hilling, Simona Semenič, and G. W. Sebald)
Toporišič, Tomaž
Symbiosis of Modernisation and National Identity in the Legacy of the “Baltars” (Baltic Art) Porcelain Painting Workshop, 1924–1930
Ļaviņa, Dace
Between (in)Visible Influences and (Im)Pure Traditions: Hybrid Character of the Postdramatic in Lithuanian Theatre
Staniškytė, Jurgita