In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Farmer, Emily Alice
Peter May’s The Lewis Man and Rebecca Wait’s Our Fathers: A Scottish Gothic Reading of Island-Set Crime Fiction
Dvořáková, Šárka
“Just how dangerous is he?” Cormac McCarthy’s Hybridized Crime Fiction
Pronko, Michael
Between Genre, Parody, and Criticism: Gilbert Adair’s The Act of Roger Murgatroyd
Mayer, Felicitas
Turning Tides, Changing Times: Sea in Evil Under the Sun and Journey to the South
Jelínek, Jiří, Jelínková, Jana
Report on the 22nd World Congress of Psychophysiology, IOP 2025
Widacki, Michał
Volume 8 (2025): Issue 3 (December 2025)
The Visibility of Ukrainian Women Refugees in the Romanian Public Sphere. Representations and Modes of Engagement
Beciu, Camelia
Economic assessment and innovation management for microbial-hormonal treatments in organic soyabean under climate variability
Chaika, Tetiana, Korotkova, Irina
Snakes on a Page: Re-reading Monstrosity and Vulnerability in Selected Contemporary Fiction
Murray, Jessica
Review: Symbiosis as a Key World Building Principle
Lykke, Nina
Rewriting Herstory: Women from Micro-Histories to South African Fiction
Caraivan, Luiza-Maria