In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Farmer, Emily Alice
Peter May’s The Lewis Man and Rebecca Wait’s Our Fathers: A Scottish Gothic Reading of Island-Set Crime Fiction
Dvořáková, Šárka
“Just how dangerous is he?” Cormac McCarthy’s Hybridized Crime Fiction
Pronko, Michael
Between Genre, Parody, and Criticism: Gilbert Adair’s The Act of Roger Murgatroyd
Mayer, Felicitas
The Visibility of Ukrainian Women Refugees in the Romanian Public Sphere. Representations and Modes of Engagement
Beciu, Camelia
Economic assessment and innovation management for microbial-hormonal treatments in organic soyabean under climate variability
Chaika, Tetiana, Korotkova, Irina
Snakes on a Page: Re-reading Monstrosity and Vulnerability in Selected Contemporary Fiction
Murray, Jessica
Review: Symbiosis as a Key World Building Principle
Lykke, Nina
Rewriting Herstory: Women from Micro-Histories to South African Fiction
Caraivan, Luiza-Maria
Review: Feminist Versions of Greek Tragedy in the Theater of Marina Carr
Kurdi, Mária
The Folk Horror and Crime Fiction Hybrid in Heart of Darkness
Heholt, Ruth
Postmodern Genre-Bending on Mainstream TV: A Case Study of Fargo Season 5
Reichmann, Angelika