In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Farmer, Emily Alice
Turning Tides, Changing Times: Sea in Evil Under the Sun and Journey to the South
Jelínek, Jiří, Jelínková, Jana
Volume 25 (2025): Issue 4 (December 2025)
“But What are You, Mama?”: Gendered Migration, Epistemic Injustice, and Feminist Resistance in Domnica Rădulescu’s Dream in a Suitcase (2022)
Sarkar, Dwitiya, Roy, Dhiman
Review: Salman Rushdie’s Cacophonous Creativity
McLeod, John
Review: Feminist Versions of Greek Tragedy in the Theater of Marina Carr
Kurdi, Mária
Postmodern Genre-Bending on Mainstream TV: A Case Study of Fargo Season 5
Reichmann, Angelika
The Folk Horror and Crime Fiction Hybrid in Heart of Darkness
Heholt, Ruth
Does Globalization Hinder or Incentive Industrialization? Empirical Evidence from Turkiye and Poland
Cengiz, Orhan, Parlińska, Agnieszka
Rewriting Herstory: Women from Micro-Histories to South African Fiction
Caraivan, Luiza-Maria
Public Private Partnership and a Healthy Environment: Sustainable Development Goals Concern
Majekodunmi, Samuel Ayodele, Iyobhebhe, Itohan
Review: Past and Present in Edith Wharton’s Travel Writing
Glant, Tibor