Beyond the Dogma of a ‘National Style’: Dance-Type Narration in Stanislaw Moniuszko’s Operas
Zieziula, Grzegorz
Deconstructing the Myth of Polishness in Music
Żerańska-Kominek, Sławomira
Edvard Grieg’s “Lost” Concert
Urniežius, Rytis
Volume 15 (2018): Issue 1 (December 2018)
The Concept of Polish Music: In Search of Adequate Criteria
Golianek, Ryszard Daniel
The Myth of Polishness in Polish Dances. How Ideologies Interpret Phenomena Related to Music and Movement
Nowak, Tomasz
Folklorism as an Invention of the State. Contributions of Polish Ethnomusicologists in Historical Perspective
Dahlig, Piotr
The Polish School of Composition in 20th-Century Music – A Recapitulation
Lindstedt, Iwona
From Restrictions to Freedom The Perilous Path to the First Warsaw Autumn Festival
Bylander, Cindy
Volume 14 (2017): Issue 1 (December 2017)
Between Connotation and Denotation. Posters Announcing the Warsaw Autumn International Festival of Contemporary Music in 1956-2015
Knorowski, Mariusz
“It is my world, to which you are invited…”. Composers’ self-reflection in the programme books of the Warsaw Autumn (1999–2016)
Schreiber, Ewa