Behind the scenes of the Estonian TV series The Bank: Ideas, practices, and stories. An interview with its creators
Nanì, Alessandro, Rohn, Ulrike, Kõnno, Andres
Is the Role of Public Service Media in Estonia Changing?
Jõesaar, Andres, Kõuts-Klemm, Ragne
What’s the value of a star? Actor familiarity and likeability effects on emotional mimicry of cinematic displays
Lotman, Elen, Voodla, Alan, Uusberg, Andero
Volume 7 (2019): Issue 1 (December 2019)
Beyond Eastern Noir: Reimagining Russia and Eastern Europe in Nordic Cinemas
Hoyer, Dirk
Facing the Foreign: The Aftermath of World War II and Estonian as Otherness in Two Films by Ingmar Bergman
Burman, Christo
War and Women in Jānis Streičs’ Films
Pērkone, Inga
Benefits and Barriers of a Social Marketing Campaign Based on the Example of the Child Helpline
Hiob, Tiina, Soonik, Mart
Bodily Violence and Resistance in Wojtek Smarzowski’s Rose (Róża, 2011)
Ostrowska, Elżbieta
Make Love at War? Representing Gender and Memory in the Soviet Estonian Film Dark Windows (Pimedad aknad, Tõnis Kask, 1968)
Jõhvik, Liis
Making Sense of the International Reputation of a Small Film Industry: The Estonian Case
Järvekülg, Madis, Rohn, Ulrike, Ibrus, Indrek
Representation and Ruination under a Soviet Shadow: Wajda, History, and Chris Marker’s Re-thinking of Tarkovsky’s ‘Zone’
Coates, Paul