Content marketing from the perspective of PR specialists: an Estonian case study
Abel, Kristel, Hiob, Tiina, Kaal, Esta, Soonik, Mart, Veetõusme, Rain
Film Branding: How the Estonia 100 umbrella brand influenced production, marketing and consumption of the Estonia 100 films
Rohn, Ulrike, Jaanson, Karli
What’s the value of a star? Actor familiarity and likeability effects on emotional mimicry of cinematic displays
Lotman, Elen, Voodla, Alan, Uusberg, Andero
Volume 7 (2019): Issue 1 (December 2019)
Representation and Ruination under a Soviet Shadow: Wajda, History, and Chris Marker’s Re-thinking of Tarkovsky’s ‘Zone’
Coates, Paul
The Map to Estonian Stars: Interviews with the Masters of Estonian Film, Theatre and Life
Teinemaa, Teet
Beyond Eastern Noir: Reimagining Russia and Eastern Europe in Nordic Cinemas
Hoyer, Dirk
Facing the Foreign: The Aftermath of World War II and Estonian as Otherness in Two Films by Ingmar Bergman
Burman, Christo
Painful Neutrality: Screening the Extradition of the Balts from Sweden
Kristensen, Lars, Burman, Christo
War and Women in Jānis Streičs’ Films
Pērkone, Inga
Bodily Violence and Resistance in Wojtek Smarzowski’s Rose (Róża, 2011)
Ostrowska, Elżbieta
Make Love at War? Representing Gender and Memory in the Soviet Estonian Film Dark Windows (Pimedad aknad, Tõnis Kask, 1968)
Jõhvik, Liis