The Resilience of Small Television Markets to COVID-19: the Case of Lockdown
Raats, Tim
Volume 8 (2020): Issue 1 (December 2020)
Film and Television Production and Consumption in Times of the COVID-19 Pandemic – The Case of Germany
Mikos, Lothar
From Dusk till “DAU”: the Rise of Heterotopic Cinema in the Times of Pandemic
Zaezjev, Alexandre
Is COVID-19 on the Covers of Socio-Political Magazines an Example of Media Polarisation? Case Study from Poland
Jupowicz-Ginalska, Anna
Stakeholder Collaboration in Audience Research: from Why to How
Mathieu, David, Schrøder, Kim Christian, Bolin, Göran, Runnel, Pille, Pruulmann-Vengerfeldt, Pille, Nanì, Alessandro, Theodoropoulou, Vivi
Statistics and the Quest for Quality Journalism
Martinisi, Alessandro, Lugo-Ocando, Jairo Alfonso
Chinese Television and Soft Power Communication in Australia
Li, Mei
Cloud Opera through the prism of artistic research: looking for media archaeological issues from the clouds
Keevallik, Liina, Ibrus, Indrek
Film Branding: How the Estonia 100 umbrella brand influenced production, marketing and consumption of the Estonia 100 films
Rohn, Ulrike, Jaanson, Karli
Content marketing from the perspective of PR specialists: an Estonian case study
Abel, Kristel, Hiob, Tiina, Kaal, Esta, Soonik, Mart, Veetõusme, Rain
Behind the scenes of the Estonian TV series The Bank: Ideas, practices, and stories. An interview with its creators
Nanì, Alessandro, Rohn, Ulrike, Kõnno, Andres