From Dusk till “DAU”: the Rise of Heterotopic Cinema in the Times of Pandemic
Zaezjev, Alexandre
Distributor Strategies in the Face of Closed Cinemas: Norwegian Responses to Covid-19
Øfsti, Marius
Public Funding in a Time of Crisis: Film Funds and the Pandemic
Noonan, Caitriona
Stakeholder Collaboration in Audience Research: from Why to How
Mathieu, David, Schrøder, Kim Christian, Bolin, Göran, Runnel, Pille, Pruulmann-Vengerfeldt, Pille, Nanì, Alessandro, Theodoropoulou, Vivi
Volume 8 (2020): Issue 1 (December 2020)
The Moral Economy of Micro-Transactions in Digital Games
Nielsen, Daniel
Statistics and the Quest for Quality Journalism
Martinisi, Alessandro, Lugo-Ocando, Jairo Alfonso
Chinese Television and Soft Power Communication in Australia
Li, Mei
Cloud Opera through the prism of artistic research: looking for media archaeological issues from the clouds
Keevallik, Liina, Ibrus, Indrek
Content marketing from the perspective of PR specialists: an Estonian case study
Abel, Kristel, Hiob, Tiina, Kaal, Esta, Soonik, Mart, Veetõusme, Rain
Film Branding: How the Estonia 100 umbrella brand influenced production, marketing and consumption of the Estonia 100 films
Rohn, Ulrike, Jaanson, Karli
What’s the value of a star? Actor familiarity and likeability effects on emotional mimicry of cinematic displays
Lotman, Elen, Voodla, Alan, Uusberg, Andero