“Just how dangerous is he?” Cormac McCarthy’s Hybridized Crime Fiction
Pronko, Michael
In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Farmer, Emily Alice
Between Genre, Parody, and Criticism: Gilbert Adair’s The Act of Roger Murgatroyd
Mayer, Felicitas
Turning Tides, Changing Times: Sea in Evil Under the Sun and Journey to the South
Jelínek, Jiří, Jelínková, Jana
The Wood Within: The Deathless Vegetal as a Component of Posthuman Corporeality in Robert Holdstock’s Mythago Novels
Rusvai, Mónika
The “Islams” of Muslims in Post-9/11 Fiction: Ayad Akhtar’s American Dervish
Gupta, Priyadarshini
Issue Editor’s Note and Introduction to the Special Thematic Block The Engulfing Self and the Self Engulfed: Transformative Monstrosity in the Anthropocene
Réti, Zsófia O., Limpár, Ildikó
Persisting Dualisms in Contemporary Digital Environments: Ethics and Aesthetics in Minecraft’s Pastoral Landscape
Rozzoni, Stefano
Infecting a Body or Infecting on Screen: (Pre)mediating the Trauma of Pandemic Contagion in Filmic Narratives
Virginás, Andrea
Ruin Lust, Fantastic Futures: From the Eighteenth Century to Contemporary Speculative Archaeologies
Iannuzzi, Giulia
Women’s Writing, Reading, and Education in the Romantic Period
Eger, Elizabeth
Tracing Early Modern Readers: New and Traditional Approaches to Historical Data
Pikli, Natália