“Just how dangerous is he?” Cormac McCarthy’s Hybridized Crime Fiction
Pronko, Michael
Between Genre, Parody, and Criticism: Gilbert Adair’s The Act of Roger Murgatroyd
Mayer, Felicitas
Peter May’s The Lewis Man and Rebecca Wait’s Our Fathers: A Scottish Gothic Reading of Island-Set Crime Fiction
Dvořáková, Šárka
In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Farmer, Emily Alice
Turning Tides, Changing Times: Sea in Evil Under the Sun and Journey to the South
Jelínek, Jiří, Jelínková, Jana
Review: Salman Rushdie’s Cacophonous Creativity
McLeod, John
The Folk Horror and Crime Fiction Hybrid in Heart of Darkness
Heholt, Ruth
Review: Feminist Versions of Greek Tragedy in the Theater of Marina Carr
Kurdi, Mária
Postmodern Genre-Bending on Mainstream TV: A Case Study of Fargo Season 5
Reichmann, Angelika
Wartime Knitting in Agatha Christie’s N or M?
Zsámba, Renáta
Review: Past and Present in Edith Wharton’s Travel Writing
Glant, Tibor