Between Genre, Parody, and Criticism: Gilbert Adair’s The Act of Roger Murgatroyd
Mayer, Felicitas
“Just how dangerous is he?” Cormac McCarthy’s Hybridized Crime Fiction
Pronko, Michael
Peter May’s The Lewis Man and Rebecca Wait’s Our Fathers: A Scottish Gothic Reading of Island-Set Crime Fiction
Dvořáková, Šárka
Turning Tides, Changing Times: Sea in Evil Under the Sun and Journey to the South
Jelínek, Jiří, Jelínková, Jana
In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Farmer, Emily Alice
Review: Feminist Versions of Greek Tragedy in the Theater of Marina Carr
Kurdi, Mária
The Folk Horror and Crime Fiction Hybrid in Heart of Darkness
Heholt, Ruth
Review: Salman Rushdie’s Cacophonous Creativity
McLeod, John
Hard-Boiled Reinvestigations of African American History in Barbara Neely’s Blanche on the Lam (1992) and Blanche Among the Talented Tenth (1994)
Kovács, Ágnes Zsófia
Issue Editors’ Notes;Introduction to Hybridization and Generic Experiments in Crime Narratives
Zsámba, Renáta, Reichmann, Angelika, Győri, Zsolt
Review: Symbiosis as a Key World Building Principle
Lykke, Nina
Snakes on a Page: Re-reading Monstrosity and Vulnerability in Selected Contemporary Fiction
Murray, Jessica