In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Farmer, Emily Alice
Turning Tides, Changing Times: Sea in Evil Under the Sun and Journey to the South
Jelínek, Jiří, Jelínková, Jana
Hard-Boiled Reinvestigations of African American History in Barbara Neely’s Blanche on the Lam (1992) and Blanche Among the Talented Tenth (1994)
Kovács, Ágnes Zsófia
Issue Editors’ Notes;Introduction to Hybridization and Generic Experiments in Crime Narratives
Zsámba, Renáta, Reichmann, Angelika, Győri, Zsolt
Volume 31 (2025): Issue 2 (December 2025)
Review: Past and Present in Edith Wharton’s Travel Writing
Glant, Tibor
Review: Symbiosis as a Key World Building Principle
Lykke, Nina
Snakes on a Page: Re-reading Monstrosity and Vulnerability in Selected Contemporary Fiction
Murray, Jessica
The Folk Horror and Crime Fiction Hybrid in Heart of Darkness
Heholt, Ruth
Review: Feminist Versions of Greek Tragedy in the Theater of Marina Carr
Kurdi, Mária
Review: Salman Rushdie’s Cacophonous Creativity
McLeod, John
Wartime Knitting in Agatha Christie’s N or M?
Zsámba, Renáta