Is notational “fingerprint” still possible? A few comments on the idiomaticity of the 20th-century notation
Kowalska-Zając, Ewa
Back from obscurity: Emil Łapczyński (1837–1863). Concert artist, composer, insurgent
Wilczek-Krupa, Maria
The role of Polish musicians in shaping the Ukrainian school of composition in the 19th and early 20th centuries
Kijanowska-Kamińska, Luba
Volume 24 (2024): Issue 1 (December 2024)
Two Soviet Animated Films for Children with Music by Dmitri Shostakovich
Babulewicz, Katarzyna
Volume 22 (2024): Issue 1 (December 2024)
Expression in aphoristic form. György Kurtág’s ‘Kafka-Fragmente’ Op. 24
Borys, Szymon
The “cry” of a nightingale. Expression, emotion, meaning
Żerańska-Kominek, Sławomira
Expression in Josef Matthias Hauer’s piano music as exemplified by Klavierstücke mit Überschriften nach Worten von Friedrich Hölderlin Op. 25
Barwinek, Bartłomiej
Mahler and the Taking Back of the Ninth
Berger, Karol
Expression in the music of Andrzej Krzanowski
Stochniol, Magdalena
Zofia Lissa’s participation in attempts to define formalism and realism in music in the 1940s and 1950s. Using the category of musical expression to create patterns of division
Zymer, Izabela