Back from obscurity: Emil Łapczyński (1837–1863). Concert artist, composer, insurgent
Wilczek-Krupa, Maria
Is notational “fingerprint” still possible? A few comments on the idiomaticity of the 20th-century notation
Kowalska-Zając, Ewa
“Newcomers” and “natives”: composers in Polish Zielona Góra (1945–2023)
Literska, Barbara
Ideas of the Musica Antiqua Europae Orientalis festivals and congresses as creative inspiration as exemplified by Romuald Twardowski’s works
Kłaput-Wiśniewska, Aleksandra
Volume 22 (2024): Issue 1 (December 2024)
Volume 24 (2024): Issue 1 (December 2024)
The “cry” of a nightingale. Expression, emotion, meaning
Żerańska-Kominek, Sławomira
Editorial
A selfie with musical expression in the background. An attempt at heuristics
Bilica, Krzysztof
Four musical settings of the poem “In Danzig” by Joseph Eichendorff — music and the expression of the word
Schiller-Rydzewska, Joanna
Zofia Lissa’s participation in attempts to define formalism and realism in music in the 1940s and 1950s. Using the category of musical expression to create patterns of division
Zymer, Izabela
Expression in Josef Matthias Hauer’s piano music as exemplified by Klavierstücke mit Überschriften nach Worten von Friedrich Hölderlin Op. 25
Barwinek, Bartłomiej