Have a personal or library account? Click to login
Artifacts Without Authors: Generative Artificial Intelligence and the Question of Authorship Cover

Artifacts Without Authors: Generative Artificial Intelligence and the Question of Authorship

By: Nurbay IrmakORCID  
Open Access
|Aug 2024

References

  1. 1Anscomb, C. 2022. Creating art with AI. Odradek Studies in Philosophy of Literature, Aesthetics, and New Media Theories, 8(1): 1351.
  2. 2Baker, LR. 2007. The Metaphysics of Everyday Life. Cambridge University Press. DOI: 10.1017/CBO9780511487545
  3. 3Bantinaki, K. 2016. Commissioning the (art)work: From singular authorship to collective creatorship. The Journal of Aesthetic Education, 50(1): 1633. DOI: 10.5406/jaesteduc.50.1.0016
  4. 4Bloom, P. 1996. Intention, History and Artifact Concepts. Cognition, 60: 129. DOI: 10.1016/0010-0277(95)00699-0
  5. 5Bonadio, E and McDonagh, L. 2020. Artificial Intelligence as Producer and Consumer of Copyright Works: Evaluating the Consequences of Algorithmic Creativity. Intellectual Property Quarterly, 2: 112137.
  6. 6Cope, D. 1987. Experiments in Music Intelligence (EMI). Proceedings of the International Computer Music Conference, San Francisco. Computer Music Association.
  7. 7Dornis, TW. 2020. Artificial Creativity: Emergent Works and the Void in Current Copyright Doctrine. Yale Journal of Law and Technology, 22: 160. DOI: 10.2139/ssrn.3451480
  8. 8Elder, C. 2014. Artifacts and mind-dependence. In: Franssen, M, Kroes, P, Reydon, TAC and Vermaas, PE (eds.), Artefact Kinds: Ontology and the Human-Made World. Cham: Springer. DOI: 10.1007/978-3-319-00801-1_3
  9. 9Evnine, S. 2013. Ready-Mades: Ontology and Aesthetics. British Journal of Aesthetics, 53(4): 407423. DOI: 10.1093/aesthj/ayt033
  10. 10Evnine, S. 2016. Making Objects and Events. Oxford University Press. DOI: 10.1093/acprof:oso/9780198779674.001.0001
  11. 11Fritz, J. Forthcoming. The notion of ‘authorship’ under EU law—who can be an author and what makes one an author? An analysis of the legislative framework and case law. Journal of Intellectual Property Law & Practice. DOI: 10.1093/jiplp/jpae022
  12. 12Garcia, C. 2016. Harold Cohen and AARON – A 40- Year Collaboration. Available at https://computerhistory.org/blog/harold-cohen-and-aaron-a-40-year-collaboration/ [Last accessed 14 March 2024].
  13. 13Gervais, D. 2020. Is Intellectual Property Law Ready for Artificial Intelligence? GRUR International, 69(2): 117118. DOI: 10.1093/grurint/ikz025
  14. 14Ginsburg, JC and Budiardjo, LA. 2019. Authors and Machines. Berkeley Technology Law Journal, 34: 343448. DOI: 10.2139/ssrn.3233885
  15. 15Gould, JL. 2007. Animal artifacts. In Eric, M and Stephen, L (eds.), Creations of the mind (pp. 249266). Oxford University Press. DOI: 10.1093/oso/9780199250981.003.0014
  16. 16Grierson, J. 2023. Photographer admits prize-winning image was AI-generated. The Guardian, April 17, 2023. [online access at https://www.theguardian.com/technology/2023/apr/17/photographer-admits-prize-winning-image-was-ai-generatedast accessed 12 March 2024].
  17. 17Grimmelmann, J. 2017. There’s No Such Thing as a Computer-Authored WorkAnd It’s a Good Thing, Too. Columbia Journal of Law and the Arts, 39: 403416. DOI: 10.31228/osf.io/rk8cm
  18. 18Gungor, A. Forthcoming. Artifact concept pluralism. Dialectica.
  19. 19Hick, DH. 2011. Toward and an ontology of authored works. British Journal of Aesthetics, 51(2): 185199. DOI: 10.1093/aesthj/ayr004
  20. 20Hilpinen, R. 1993. Authors and artifacts. Proceedings of the Aristotelian Society, 93: 155178. DOI: 10.1093/aristotelian/93.1.155
  21. 21Hilpinen, R. 2011. Artifact. The Stanford Encyclopedia of Philosophy (Winter 2011 Edition), Zalta, EN (ed.). Available at: https://plato.stanford.edu/archives/win2011/entries/artifact/.
  22. 22Hugenholtz, PB and Quintais, JP. 2021. Copyright and Artificial Creation: Does EU Copyright Law Protect AI-Assisted Output? International Review of Intellectual Property and Competition Law, 52: 11901216. DOI: 10.1007/s40319-021-01115-0
  23. 23Hunter, W. 2023. What poets know that ChatGPT Doesn’t. The Atlantic, February 13, 2023 [online access at https://www.theatlantic.com/books/archive/2023/02/chatgpt-ai-technology-writing-poetry/673035/ last accessed 12 March 2024].
  24. 24Irmak, N. 2021. Authorship and Creation. The Journal of Aesthetics and Art Criticism, 79(2): 175185. DOI: 10.1093/jaac/kpab004
  25. 25Irmak, N. Forthcoming. The Mess We Make: On the Metaphysics of Artifact Kinds. Erkenntnis. DOI: 10.1007/s10670-024-00789-5
  26. 26Irvin, S. 2005. Appropriation and authorship in contemporary art. British Journal of Aesthetics, 45(2): 123137. DOI: 10.1093/aesthj/ayi015
  27. 27Juvshik, T. 2021a. Artifacts and mind-dependence. Synthese, 199: 93139336. DOI: 10.1007/s11229-021-03204-6
  28. 28Juvshik, T. 2021b. Artifactualization without physical modification. Res Philosophica, 98(4): 545572. DOI: 10.11612/resphil.2092
  29. 29Juvshik, T. 2021c. Function essentialism about artifacts. Philosophical Studies, 178: 29432964. DOI: 10.1007/s11098-020-01594-w
  30. 30Khosrowi, D, Finn, F and Clark, E. Forthcoming. Engaging the many-hands problem of generative-AI outputs: a framework for attributing credit. AI Ethics.
  31. 31Koslicki, K. 2018. Form, Matter and Substance. Oxford University Press. DOI: 10.1093/oso/9780198823803.001.0001
  32. 32Levinson, J. 2007. Artworks as artifacts. In: Margolis, E and Laurence, S (eds.), Creations of the mind. Oxford University Press. pp. 7482. DOI: 10.1093/oso/9780199250981.003.0005
  33. 33Lopes, DM. 2009. A philosophy of computer art. Routledge. DOI: 10.4324/9780203872345
  34. 34Mag Uidhir, C. 2011. Minimal authorship of (sorts). Philosophical Studies, 154: 373387. DOI: 10.1007/s11098-010-9525-0
  35. 35Mag Uidhir, C. 2013. Art and Art-Attempts. Oxford: Oxford University Press. DOI: 10.1093/acprof:oso/9780199665778.001.0001
  36. 36McManus, S. 2023. Friend or foe: Can computer coders trust ChatGPT? BBC, March 31, 2023. [online access at https://www.bbc.com/news/business-65086798 last accessed 12 March 2024].
  37. 37Moran, C. 2023. ChatGPT is making up fake Guardian articles. Here’s how we’re responding. The Guardian, April 6, 2023. [online access at https://www.theguardian.com/commentisfree/2023/apr/06/ai-chatgpt-guardian-technology-risks-fake-article last accessed 12 March 2024].
  38. 38Ploin, A, et al. 2022. AI and the arts: How machine learning is changing artistic work. Oxford Internet Institute.
  39. 39Preston, B. 2013. A philosophy of Material Culture: Action, function, and Mind. Routledge. DOI: 10.4324/9780203069844
  40. 40Reicher, ME. 2015. Computer-generated music, autrhoship, and work identity. Grazer Philosophische Studien, 91: 107130. DOI: 10.1163/9789004302273_006
  41. 41Reicher, ME. 2022. The primacy of abstract artifacts. In: McNamara, P, Jones, AJI and Brown, MA (eds.), Agency, Norms, Inquiry, and Artifacts: Essays in Honor of Risto Hilpinen, Synthese Library 454. Cham: Springer. pp. 235246. DOI: 10.1007/978-3-030-90749-5_12
  42. 42Roose, K. 2022. An A.I.-Generated Picture Won an Art Prize. Artists Aren’t Happy. The New York Times. September 2, 2022. [online access at https://www.nytimes.com/2022/09/02/technology/ai-artificial-intelligence-artists.html last accessed 12 March 2024].
  43. 43Sparrow, J. 2023. Are AI-generated songs a ‘grotesque mockery’ of humanity or simply an opportunity to make a new kind of music?. The Guardian, January 20, 2023. [online access at https://www.theguardian.com/commentisfree/2023/jan/20/are-ai-generated-songs-a-grotesque-mockery-of-humanity-or-simply-an-opportunity-to-make-a-new-kind-of-music last accessed 12 March 2024].
  44. 44Steinert, S. 2016. Art: Brought to you by creative machines. Philosophy and Technology, 30(3): 267284. DOI: 10.1007/s13347-016-0230-6
  45. 45Thomasson, LA. 2003. Realism and human kinds. Philosophy and Phenomenological Research, 67(3): 580609. DOI: 10.1111/j.1933-1592.2003.tb00309.x
  46. 46Thomasson, LA. 2007. Artifacts and human concepts. In: Margolis, E and Laurence, S (eds.), Creations of the mind. Oxford University Press. pp. 5273. DOI: 10.1093/oso/9780199250981.003.0004
  47. 47van Woudenberg, R, Ranalli, C and Bracker, D. 2024. Authorship and ChatGPT: a Conservative View. Philosophy and Technology, 37: 34. DOI: 10.1007/s13347-024-00715-1
  48. 48Wojtkiewicz, K. 2023. How Do You Solve a Problem like DALL-E 2? The Journal of Aesthetics and Art Criticism, 81(4): 454467. DOI: 10.1093/jaac/kpad046
DOI: https://doi.org/10.5334/met.160 | Journal eISSN: 2515-8279
Language: English
Submitted on: Mar 17, 2024
Accepted on: Jul 26, 2024
Published on: Aug 19, 2024
Published by: Ubiquity Press
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year

© 2024 Nurbay Irmak, published by Ubiquity Press
This work is licensed under the Creative Commons Attribution 4.0 License.