The deformation of the „ideal” architectural object as an aesthetic act: iterating on the picturesque aesthetics in architecture

This paper explores how the deformations of the „ideal” architectural objects as an aesthetic act and its reflection in contemporary architecture. As architecture is always seeking direct solutions, it often leads to a general or „ideal” object. But placed in a specific context, it experiences a series of adaptations, deforming its ideal state. Thus, the object enters a stage of „scholarly” play of volumes, obtaining variety, irregularity, and intricacy. This aesthetic act was explored as early as the 18th century, by the theory of the picturesque, through which the universal-objective judgment was questioned, emphasizing the object’s particularity. Containing the aesthetic act of deformation, the picturesque gives the framework for aesthetically accepting unforeseen incidents. Regarding the design process, it merges architectural rigor with the free spirit of spontaneity. In this sense, through the picturesque aesthetic, the act of deformity recurs in architectural works, by accepting and redeem the unforeseen of life.