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            <title><![CDATA[Traduire une pseudo autobiographie : du récit vécu et factuel au récit fictionnel. La luz de la noche, par Antonio Bueno García]]></title>
            <link>https://reference-global.com/article/10.2478/tran-2025-0001</link>
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            <pubDate>Mon, 29 Dec 2025 00:00:00 GMT</pubDate>
            <description><![CDATA[This article examines the translation of La luz de la Noche into French and Romanian, two closely related Romance languages that nevertheless differ in their approaches to free verse, dramatic orality, and biographical resonance. Through a comparative analysis of selected passages in which Cervantes expresses weariness and despair, the study underscores the challenges of translating fictionalized autobiography within the context of dramatic poetry.]]></description>
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            <title><![CDATA[Il linguaggio innovativo di Papa Francesco: metafore concettuali e traduzione romena]]></title>
            <link>https://reference-global.com/article/10.2478/tran-2025-0002</link>
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            <pubDate>Mon, 29 Dec 2025 00:00:00 GMT</pubDate>
            <description><![CDATA[This article examines the metaphorical language of Pope Francis by analyzing a broad constellation of recurrent metaphors in Italian texts and their Romanian translations. Expressions such as “outgoing Church”, “culture of waste”, “non-citizens”, “half-citizens”, “urban leftovers”, “shepherds with the smell of the sheep”, “museum Christians”, “armchair Christians”, “anesthetized Christians”, “a piecemeal Third World War”, “choreographers of the dance of life”, “administrators of fears” versus “entrepreneurs of dreams”, money as “the devil’s dung”, the Church as a “field hospital” and “globalization of Indifference” are interpreted not as isolated rhetorical figures but as components of a coherent conceptual system. Drawing on the theoretical framework of conceptual metaphor (Lakoff &amp; Johnson) and critical metaphor analysis in public discourse (Charteris-Black), the study shows how these images structure a dynamic ethical and social vision oriented toward action, critique of exclusion and pastoral renewal. Particular attention is devoted to translation strategies in the Romanian versions, highlighting the role of controlled metaphorical calque in preserving conceptual domains, axiological values and pragmatic force. Translation thus emerges as a form of conceptual and cultural mediation essential to the translinguistic circulation of papal discourse.]]></description>
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            <title><![CDATA[La Divine comédie en tierce rime de Kolja Mićević (1996-2017) et Danièle Robert (2016-2021) : une rupture épistémologique opérée par la créativité traductive]]></title>
            <link>https://reference-global.com/article/10.2478/tran-2025-0003</link>
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            <pubDate>Mon, 29 Dec 2025 00:00:00 GMT</pubDate>
            <description><![CDATA[This study investigates whether the poetic structure of terza rima, often considered a Dantesque invention, has been preserved in French translations of the Divine Comedy from the fifteenth century to the present. The analysis begins with the characteristics of terza rima in Dante's work and examines its varied historical reception, particularly the debates in the late twentieth century regarding translations into free verse and unrhymed verse. Versification prompts questions about the poetic function of the message and necessitates reflection on paronomasia and rhythm in translation. The study reviews the perspectives of Roman Jakobson, Henri Meschonnic, André Pézard, Jacqueline Risset, and Umberto Eco, among others. It then analyzes the translations by Kolja Mićević (1996-2017) and Danièle Robert (2016-2021), who have favored terza rima versification despite prevailing trends. The feasibility of translation is shown to depend on the dominant poetic conception within specific cultural contexts, and the translation process is closely linked to the translator's creativity. Recreating the original or a similar textual function in the target language is a complex and challenging endeavor; creative transpositions result from imaginative translations that challenge the notion of poetic untranslatability.]]></description>
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            <title><![CDATA[Krúdy Gyula, La bella vita di Rezeda Kázmér, a cura di Aurelia Bianchi]]></title>
            <link>https://reference-global.com/article/10.2478/tran-2025-0011</link>
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            <pubDate>Mon, 29 Dec 2025 00:00:00 GMT</pubDate>
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            <title><![CDATA[Le traduzioni italiane di alcuni brevi racconti di Ilka Papp-Zakor]]></title>
            <link>https://reference-global.com/article/10.2478/tran-2025-0014</link>
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            <pubDate>Mon, 29 Dec 2025 00:00:00 GMT</pubDate>
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            <title><![CDATA[La guerra di un ‘giovin signore’. Memorie di Károly Hegedős sul fronte dell’Isonzo]]></title>
            <link>https://reference-global.com/article/10.2478/tran-2025-0013</link>
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            <pubDate>Mon, 29 Dec 2025 00:00:00 GMT</pubDate>
            <category>ARTICLE</category>
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            <title><![CDATA[Oltre la semplice traduzione: A Grammar of Nganasan (2018) come rielaborazione critica della Chrestomathia Nganasanica (2002)]]></title>
            <link>https://reference-global.com/article/10.2478/tran-2025-0012</link>
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            <pubDate>Mon, 29 Dec 2025 00:00:00 GMT</pubDate>
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            <title><![CDATA[Atelier de traduction et lecture – Traduire Dancinq Queen de Felicia Mihali – pari et défis, 5 juillet 2025]]></title>
            <link>https://reference-global.com/article/10.2478/tran-2025-0015</link>
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            <pubDate>Mon, 29 Dec 2025 00:00:00 GMT</pubDate>
            <category>ARTICLE</category>
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            <title><![CDATA[La médiation au service de l’apprentissage collaboratif de la littérature de l’exil : analyse de Je viens d’Alep. Itinéraire d’un réfugié ordinaire, de Joude Jassouma]]></title>
            <link>https://reference-global.com/article/10.2478/tran-2025-0009</link>
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            <pubDate>Mon, 29 Dec 2025 00:00:00 GMT</pubDate>
            <description><![CDATA[This article presents a multimodal teaching application implemented in a university French literature course, designed to foster interlinguistic, intercultural, and collaborative learning among national and international students. The study analyzes the representation of the contemporary hero in Je viens d'Alep. Itinéraire d'un réfugié ordinaire by Joude Jassouma (2017), identifying the structure of the Monomyth. Through this cooperative activity, which utilizes mediation skills (Supplementary Volume of CEFR, 2020), students become both independent actors in their own learning and intercultural mediators with other interlocutors.]]></description>
            <category>ARTICLE</category>
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            <title><![CDATA[Traducir para existir: lenguas minorizadas, acceso cultural y representatividad simbólica]]></title>
            <link>https://reference-global.com/article/10.2478/tran-2025-0007</link>
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            <pubDate>Mon, 29 Dec 2025 00:00:00 GMT</pubDate>
            <description><![CDATA[This article examines the translation of canonical literary works into Spain’s co-official languages, with a focus on minoritized and minority languages, as a strategy to promote equitable cultural access and enhance symbolic representativeness. Employing sociocultural, intercultural, and intersectional perspectives, the study explores the historical development of language policies and their relationship with translation practices in multilingual contexts. A theoretical framework is introduced to highlight linguistic and cultural asymmetries, positioning translation as both a political act and an instrument of social justice within Spain’s postnational and plurinational context.]]></description>
            <category>ARTICLE</category>
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            <title><![CDATA[Proposition de formation en traduction spécialisée centrée sur la maîtrise des compétences interpersonnelles, interculturelles et transversales]]></title>
            <link>https://reference-global.com/article/10.2478/tran-2025-0004</link>
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            <pubDate>Mon, 29 Dec 2025 00:00:00 GMT</pubDate>
            <description><![CDATA[This paper presents a proposal for the preparation of translators of non-literary texts that takes into account changes driven by globalization, labour markets, and developments in IT and AI. These changes, in turn, alter the translator’s role, competences, and skills. The model develops interpersonal and transversal competences, the use of various CAT tools and localization techniques for translating non-literary texts. It also supports the development of intercultural competence, which is essential for translators in today’s globalized world. Finally, it points to a balanced relationship between the translator as a human being and AI. The model is a balance between curriculum content and organization on the one hand, and other players in the translation market on the other.]]></description>
            <category>ARTICLE</category>
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            <title><![CDATA[L’hospitalité langagière en traduction : le cas de em de Kim Thúy]]></title>
            <link>https://reference-global.com/article/10.2478/tran-2025-0006</link>
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            <pubDate>Mon, 29 Dec 2025 00:00:00 GMT</pubDate>
            <description><![CDATA[This article explores the challenges and strategies involved in translating Kim Thúy’s novel em into Croatian. A work marked by heterolingualism and a strong cultural charge, em mobilizes several languages and cultural references, raising fundamental questions about the transposition of linguistic and cultural elements in translation. The study is based on a research-creation approach that combines theoretical analysis and reflection on translation practice. The analysis highlights the tensions between domestication and foreignization in literary translation, underscoring the importance of preserving the source text's otherness. The choice to retain numerous Vietnamese terms, anglicisms and cultural references is intended to respect the novel’s multilingual and intercultural dimension. The results underline that the translation of em into Croatian favors a sourciste approach, grounded in Paul Ricœur’s concept of linguistic hospitality.]]></description>
            <category>ARTICLE</category>
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        <item>
            <title><![CDATA[Traduire références et allusions culturelles au parfum marocain dans les romans de Tahar ben Jelloun]]></title>
            <link>https://reference-global.com/article/10.2478/tran-2025-0005</link>
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            <pubDate>Mon, 29 Dec 2025 00:00:00 GMT</pubDate>
            <description><![CDATA[This article seeks to undertake a concise analytical inventory of the difficulties encountered in translating the cultural references and allusions (culture-bound elements) found in three novels by the Moroccan writer Tahar Ben Jelloun – L’enfant de sable, La Nuit sacrée, and Le mariage de plaisir – all translated into Romanian. After advocating for a culturally informed hermeneutic approach to translation of this rich and award-winning oeuvre, which has significantly influenced both Francophone and Arabophone readerships, we proceed to a series of illustrative examples accompanied by critical commentary. Drawing on our perspective as semi-professional translators, we aim to foreground the difficulties, hesitations, and challenges inherent in the practice of (inter)cultural mediation through literary translation.]]></description>
            <category>ARTICLE</category>
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        <item>
            <title><![CDATA[Plaidoyer pour la traduction littéraire. Atelier de traduction, lectures. Rencontres des écrivains belges et des traducteurs, Château de Seneffe, 20 août 2025 programme « Seneffe en août – Passa Porta »]]></title>
            <link>https://reference-global.com/article/10.2478/tran-2025-0016</link>
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            <pubDate>Mon, 29 Dec 2025 00:00:00 GMT</pubDate>
            <category>ARTICLE</category>
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            <title><![CDATA[Difficultés traductives des références culturelles à travers les traductions roumaines de quatre romans de Daniel Pennac appartenant à la littérature d’enfance et de jeunesse]]></title>
            <link>https://reference-global.com/article/10.2478/tran-2025-0010</link>
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            <pubDate>Mon, 29 Dec 2025 00:00:00 GMT</pubDate>
            <description><![CDATA[The original work and its translation are not only linguistic manifestations of a particular literature, but also products of specific cultural and temporal contexts. This study conducts a comparative analysis of four children's novels by Daniel Pennac and their Romanian translations, published several decades after the original French editions. The analysis focuses on the translation challenges associated with anthroponyms, toponyms, and other implicit or explicit cultural references unfamiliar to the young target audience. Examples from the corpus illustrate the strategies Romanian translators employ to convey the cultural dimension of the source text, thereby enriching young readers' knowledge.]]></description>
            <category>ARTICLE</category>
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        <item>
            <title><![CDATA[Intertextual References and Culture-Specific Words in Dubbing Translation: The Case of Deadpool &amp; Wolverine]]></title>
            <link>https://reference-global.com/article/10.2478/tran-2025-0008</link>
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            <pubDate>Mon, 29 Dec 2025 00:00:00 GMT</pubDate>
            <description><![CDATA[This paper is a self-criticism of the Slovak dubbing translation of Deadpool &amp; Wolverine, with a focus on intertextual references and culture-specific terms. The analysis highlights the necessity of distinguishing between intra- and extra-universe intertextuality, each governed by distinct translation norms. Intra-universe references typically require a foreignizing approach, whereas extra-universe references often necessitate a domesticating strategy. Media constraints, such as dubbing, further influence translation decisions. The study emphasizes the impact of global subcultures on translation strategies within pop-cultural franchises.]]></description>
            <category>ARTICLE</category>
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            <title><![CDATA[Marinetti: An ‘Antipasseist’ and Liberated Translator, from Symbolist and Futurist Rewrites to the Poems of Francesco Cangiullo]]></title>
            <link>https://reference-global.com/article/10.2478/tran-2024-0008</link>
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            <pubDate>Tue, 31 Dec 2024 00:00:00 GMT</pubDate>
            <description><![CDATA[The contribution aims to point out the allographic translation activity that accompanied, from the very beginning, the creative work of the founder of futurism, Filippo Tommaso Marinetti, who was also a fine writer of French symbolism, a translingual author, a self-translator and a cultural mediator. We will begin by presenting accomplished Symbolist and Futurist translations into French and Italian, and we will also consider unfinished projects. We will later focus on the hitherto unexplored French versions of two poems by the Neapolitan Futurist Francesco Cangiullo to document a (re)creative and organic translating practice.]]></description>
            <category>ARTICLE</category>
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        <item>
            <title><![CDATA[Self-translation and/or Rewriting. The translingual journey of Alba de Céspedes, from Sans autre lieu que la nuit to Nel buio della notte]]></title>
            <link>https://reference-global.com/article/10.2478/tran-2024-0006</link>
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            <pubDate>Tue, 31 Dec 2024 00:00:00 GMT</pubDate>
            <description><![CDATA[De Céspedes’ work is characterized by a complex linguistic mosaic, culminating in the last twenty years with the experimental novel Sans autre lieu que la nuit, influenced by 1970s Italian narrative and set in Paris. The novel’s French, rich in various registers, required extensive adaptation for the Italian translation Nel buio della notte. The article analyses the translation strategies and narrative devices used to adapt the novel to Italian culture, highlighting the differences between the two works.]]></description>
            <category>ARTICLE</category>
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        <item>
            <title><![CDATA[De Filippo translates Shakespeare’s The Tempest into Neapolitan of the 17th century. Analytical approach in morphological, lexicological and semantic perspective]]></title>
            <link>https://reference-global.com/article/10.2478/tran-2024-0010</link>
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            <pubDate>Tue, 31 Dec 2024 00:00:00 GMT</pubDate>
            <description><![CDATA[This article aims to highlight the potential of the Neapolitan language in literature and, in particular, in theatre, to focus our attention on its expressive power, its communicative capability, especially in the transmission of feelings and emotions, and to underline the similarities or differences in the translation from the English text. I have tried to examine how the transition from Shakespearian English to the Neapolitan language used by Eduardo (Neapolitan of the 17th century) took place through the analysis of a few details of certain elements, essaying the transformation that occurred through the centuries and the contaminations due to the various foreign dominations. I constantly compared the English text with the Neapolitan one because I had not found any similar works to compare my research. The result is that the verse’s rhythm and the words’ meaning are preserved, as well as the inner meaning of the single, expertly translated words. Sometimes, this result is reinforced by the words’ musicality and the sentence’s rhythm, which are enriched by idiomatic expressions that add power to the thought in the Neapolitan dialect.]]></description>
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            <title><![CDATA[Véronique Tadjo, Lontano da mio padre, trad. it. di Sergio Arecco]]></title>
            <link>https://reference-global.com/article/10.2478/tran-2024-0012</link>
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            <pubDate>Tue, 31 Dec 2024 00:00:00 GMT</pubDate>
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