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        <title>Review of Artistic Education Feed</title>
        <link>https://sciendo.com/journal/RAE</link>
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            <title>Review of Artistic Education Feed</title>
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            <link>https://sciendo.com/journal/RAE</link>
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        <copyright>All rights reserved 2026, Sciendo</copyright>
        <item>
            <title><![CDATA[3. National Theatre Live. The Beginning of a Revolution]]></title>
            <link>https://sciendo.com/article/10.2478/rae-2023-0017</link>
            <guid>https://sciendo.com/article/10.2478/rae-2023-0017</guid>
            <pubDate>Thu, 06 Apr 2023 00:00:00 GMT</pubDate>
            <description><![CDATA[

In June 2009 at the initiative of Royal National Theatre in London, National Theatre Live appeared – a revolutionary project through which theatre performances are live streamed. The first one was Phedra69 by Racine. The show was live streamed in 73 movie theatres from Great Britain and in 200 others all over the world. The broadcasting was a great success about which The Guardian wrote: “The main lesson is that a theatre production can be made democratically available to a mass audience without any loss of quality. For generations we have been told that the theatre is elitist. Last night it was shown that a supposedly difficult classical tragedy can speak simultaneously to people across the globe… this is only the beginning of a revolution in making theatre available in ways of which we had never dreamed.”70 For more than 13 years, The National Theatre of London has been live streaming its shows, at the moment having over 5.5 million spectators and being present in over 5000 locations all around the world.
]]></description>
            <category>ARTICLE</category>
        </item>
        <item>
            <title><![CDATA[2. Positive Pedagogy in Art Teacher Training]]></title>
            <link>https://sciendo.com/article/10.2478/rae-2023-0022</link>
            <guid>https://sciendo.com/article/10.2478/rae-2023-0022</guid>
            <pubDate>Thu, 06 Apr 2023 00:00:00 GMT</pubDate>
            <description><![CDATA[

The pedagogical conception that each teacher assumes when referring to the teaching profession will guide his strategy for working with students. A teacher equally concerned with forming the competencies inscribed in school programs and helping the full flowering of the personality of the students with whom he works could adopt positive pedagogy as a frame of reference. The present work aims to review the principles of positive pedagogy, to nuance the roots of this paradigm in the light of current research and to bring to the fore its potential in terms of educational strategies that can be successfully adapted in the training of art teachers.
]]></description>
            <category>ARTICLE</category>
        </item>
        <item>
            <title><![CDATA[4. The Inner Mechanism of the Actor in the Vision of Eugenio Barba]]></title>
            <link>https://sciendo.com/article/10.2478/rae-2023-0018</link>
            <guid>https://sciendo.com/article/10.2478/rae-2023-0018</guid>
            <pubDate>Thu, 06 Apr 2023 00:00:00 GMT</pubDate>
            <description><![CDATA[

The discoveries he makes in his journey around the world, the admiration for the way Grotowski thinks and for Brecht’s theories, but also the history of the years 1960-1978 stir up Eugenio Barba, causing him to look for new meanings related to this art. After going through a period of disorientation and hearing around him from many people the question: what is the meaning of doing theater today?, he finds the answer: “theatre is an empty and ineffective ritual that we fill with our own why, with our personal necessity”. Barba praises the modesty and strength of the actor who considers himself the servant of the stage and not the “navel of the crowd” that surrounds him. The concepts of yoga lead him to write about the “body-spirit” and how essential it is for a performer to exercise his spirit.
]]></description>
            <category>ARTICLE</category>
        </item>
        <item>
            <title><![CDATA[13. The Acoustic Analysis of Violins and the Artistic Impressions Evaluated by Musicians]]></title>
            <link>https://sciendo.com/article/10.2478/rae-2023-0013</link>
            <guid>https://sciendo.com/article/10.2478/rae-2023-0013</guid>
            <pubDate>Thu, 06 Apr 2023 00:00:00 GMT</pubDate>
            <description><![CDATA[

Violin studies can be classified into two main types: psychoacoustic studies, which are based on the artistic perception of audibility by violinists and vibro-acoustic studies, which are based on the spectral analysis of the vibrations and sounds produced by the instruments. The paper presents the acoustic analysis of violins by means of specialized software, their main acoustic characteristics being extracted in the form of frequency spectrum, spectrograms, specific modes and number of harmonics. These results were compared with the results of the opinion poll among musicians regarding the acoustic qualities of violins, based on musical auditions. The results highlighted the fact that the acoustic analysis technique cannot detect in totality the psycho-acoustic effects of musical sounds, therefore the establishment of the acoustic quality of the instruments on objective foundations, since the personal touch of an instrumental artist aims at the approach and articulation of the musical discourse, in a complex manner, combined with the interpretation of forms and styles.
]]></description>
            <category>ARTICLE</category>
        </item>
        <item>
            <title><![CDATA[5. Visual Communication in Cultural Media. The Rashomon Effect in the Image Globalization Paradigm]]></title>
            <link>https://sciendo.com/article/10.2478/rae-2023-0025</link>
            <guid>https://sciendo.com/article/10.2478/rae-2023-0025</guid>
            <pubDate>Thu, 06 Apr 2023 00:00:00 GMT</pubDate>
            <description><![CDATA[

The nowadays communication paradigm shifts in the context of new media emergence, as we consider the internet and social media as sovereign communicative mediums. From cinema to press, advertising, art, or new-mediatic context, we assist to a global communication process which encompasses both the technological virtues of digitality, and the subjective truths of a collective cultural memory process. Based on the active principle of “the Rashomon effect,” we will investigate the advertising patterns, the news dissemination, and the everyday culture of images, and we will attempt to summarise the outcome of our position as (inter)active players in this globalised media environment. Since we are both creators and consumers of cultural information in the “global village,” we work with a wide array of communication supports which define our very identity as “information matrix processors.” We are creating both the context and the vehicle of this paradigm where the information is the main currency, and the visual communication become a medium by itself which opens a variety of directions of analysis for critical understanding of today’s cultural phenomenon
]]></description>
            <category>ARTICLE</category>
        </item>
        <item>
            <title><![CDATA[6. Stylistic and Technical Orientations in Romanian Creation for Clarinet of the Twentieth Century]]></title>
            <link>https://sciendo.com/article/10.2478/rae-2023-0006</link>
            <guid>https://sciendo.com/article/10.2478/rae-2023-0006</guid>
            <pubDate>Thu, 06 Apr 2023 00:00:00 GMT</pubDate>
            <description><![CDATA[

A controversial period in humanity’s evolution is the previous century, the 20th, viewed both from a constructive and a destructive point of view. Technical progress and scientific discoveries led the human dimension towards a huge leap of civilization. But this computerized trajectory holds unlimited possibilities in creating balance or chaos within the human. The multiple effects of modern technology on human life can affect, even completely change, interpersonal communication. In the thinking of Romanian composers, especially in the second half of the 20th century, new concepts and working techniques are designed. Among these, we mention dodecaphonic serialism, integral serialism, heterophony, rhythm with added values, texture, aleatoric, etc., all leading to a totally new, experimental acceptance.
]]></description>
            <category>ARTICLE</category>
        </item>
        <item>
            <title><![CDATA[4. Implementing the Concept of Artistic Efficiency: Some Sugestions for Teachers]]></title>
            <link>https://sciendo.com/article/10.2478/rae-2023-0034</link>
            <guid>https://sciendo.com/article/10.2478/rae-2023-0034</guid>
            <pubDate>Thu, 06 Apr 2023 00:00:00 GMT</pubDate>
            <description><![CDATA[

In efforts to design the implementation process of innovative artistic praxeology we emerged from the assumption that TDA (teacher’s didactic action) and PAA (pupil artistic action) become fundamental values of the integration of theory and praxeology in perspective of an effective education, provided that they be widely used both horizontally and vertically, according to the pentagonal model consisting of principles: proactivity, artistic intro-opening, creation/creativity, of success, re-conceptualizing and instrumented in modern theoretical and methodological perspectives.
]]></description>
            <category>ARTICLE</category>
        </item>
        <item>
            <title><![CDATA[6. Design – Synthesis Phenomenon: Art, Science and Technology]]></title>
            <link>https://sciendo.com/article/10.2478/rae-2023-0026</link>
            <guid>https://sciendo.com/article/10.2478/rae-2023-0026</guid>
            <pubDate>Thu, 06 Apr 2023 00:00:00 GMT</pubDate>
            <description><![CDATA[

This article discusses the issue of curricular adaptation of subject content for students attending courses in Clothing Design and Visual and Decorative Arts in which the content of the national curriculum components is correlated with the student’s real possibilities to prioritize and compare their individual vocational performance and accumulated acquisitions during the development of design projects, following the individualized and differentiated curriculum in Clothing Design courses through algorithmic teaching strategies or heuristic strategies that require creativity in order to achieve global or sequential learning tasks.
]]></description>
            <category>ARTICLE</category>
        </item>
        <item>
            <title><![CDATA[5. The Amplification of Ecological Awareness Through Art Practice: The Ecoartivist Drawing of Ecología De Un Abrazo [The Ecology of an Embrace]]]></title>
            <link>https://sciendo.com/article/10.2478/rae-2023-0035</link>
            <guid>https://sciendo.com/article/10.2478/rae-2023-0035</guid>
            <pubDate>Thu, 06 Apr 2023 00:00:00 GMT</pubDate>
            <description><![CDATA[

In this presentation I will discuss the potential of artistic practices to amplify ecological awareness. I will describe a specific art practice that can be replicated in the classroom by other teachers: Ecology of an Embrace. This is an ecoartivist project (ecology, art and activism) that recalls the eco-feminist spirit of the Chipko women. It presents a participatory approach involving social and human networks (human capital in a 2.0 context). It articulates a dialogue between real bodies / real space and social profiles / virtual space, broadening our capacity for analysis in the current environmental and civilisational crisis. The objectives and / or effects to be achieved are:

- To be able to see the other in ourselves and ourselves in the other.
- To promote empathy.
- To amplify our perception (plurisensoriality).
- To feel the connection with the cosmos.
- To encourage the growth of mycorrhizae: making existing mycorrhizae visible and encouraging the emergence and growth of new ones through narrative formulas.
]]></description>
            <category>ARTICLE</category>
        </item>
        <item>
            <title><![CDATA[8. Post-Production Aspects in Performative Photography]]></title>
            <link>https://sciendo.com/article/10.2478/rae-2023-0028</link>
            <guid>https://sciendo.com/article/10.2478/rae-2023-0028</guid>
            <pubDate>Thu, 06 Apr 2023 00:00:00 GMT</pubDate>
            <description><![CDATA[

Appropriation is one of the determining concepts of the post-productive theory, denoting the choice of an object and its use or modification according to a specific intention. Operating in an index of famous images from universal art, the photographer artist calls upon the performative strategies of the environment to structure behavioral positionings observed in social space. The series of examples accesses a segment of these artistic practices in which the biblical icon plays the role of the symbolic reference, but especially of the pretextual condition within the author's conceptual construction.
]]></description>
            <category>ARTICLE</category>
        </item>
        <item>
            <title><![CDATA[9. Specific Aspects of School Competency Assessment in Plastic Education Classes]]></title>
            <link>https://sciendo.com/article/10.2478/rae-2023-0029</link>
            <guid>https://sciendo.com/article/10.2478/rae-2023-0029</guid>
            <pubDate>Thu, 06 Apr 2023 00:00:00 GMT</pubDate>
            <description><![CDATA[

The article defines evaluation as a strategy for the development of school competencies in plastic education classes. Reveals the advantages of the criterion assessment through descriptors of the educational products, carried out based on the evaluation objectives through traditional and complementary evaluation samples.
]]></description>
            <category>ARTICLE</category>
        </item>
        <item>
            <title><![CDATA[6. New Perspectives in Developing Teachers’ Social-Emotional Skills to Prevent Bullying: The Role of Forum Theatre]]></title>
            <link>https://sciendo.com/article/10.2478/rae-2023-0020</link>
            <guid>https://sciendo.com/article/10.2478/rae-2023-0020</guid>
            <pubDate>Thu, 06 Apr 2023 00:00:00 GMT</pubDate>
            <description><![CDATA[

The present study is in line with the concern for the prevention of bullying behaviors, which have been continuously and unprecedentedly expanding at national and European level. In this case, the socio-emotional competence of teachers is important. A solution for training and developing this competence is offered by continuing vocational training programs regulated at national and European level. In line with the recommendations of the Council of Europe (2018), which refer to complementing academic training with social, emotional and arts learning, our approach is intended as a reflection of the importance of an innovative interdisciplinary perspective in developing social-emotional competences in teachers by considering the theatrical technique Theatre Forum for effective bullying prevention. In this respect, we propose some directions for analysis:
1). Documentation of the European and national regulatory framework on professional competence training for pre-university teachers;
2). Consider the importance of social-emotional competence in teachers in the effort to prevent bullying;
3). Inclusion of the Forum Theatre technique in in-service training programmes for teachers in the field of bullying prevention as a way of developing socio-emotional skills.
]]></description>
            <category>ARTICLE</category>
        </item>
        <item>
            <title><![CDATA[4. Conceptual Materiality and Sculptural Critique]]></title>
            <link>https://sciendo.com/article/10.2478/rae-2023-0024</link>
            <guid>https://sciendo.com/article/10.2478/rae-2023-0024</guid>
            <pubDate>Thu, 06 Apr 2023 00:00:00 GMT</pubDate>
            <description><![CDATA[

Based on the recent sculptural projects of Mihai Verestiuc, we will establish a conceptual connection of with the practice of post-minimalist sculpture, using as argument certain lines developed by artists such as Joseph Beuys and Rachel Whiteread in their works analysed in this article. The course of the works, in itself, offers us the opportunity to reflect on the assumed responsibility towards the formative impact that any artistic object offers in relation to the environment in which it is produced (social, cultural, economic or political) and that starts from the artist through all the elements implicit of his approach - the concept, the specificity of the material and the space, the socio-cultural reality.
]]></description>
            <category>ARTICLE</category>
        </item>
        <item>
            <title><![CDATA[10. Ecology of Information, a Beneficial Comprehensive Approach in Arts Higher Education]]></title>
            <link>https://sciendo.com/article/10.2478/rae-2023-0040</link>
            <guid>https://sciendo.com/article/10.2478/rae-2023-0040</guid>
            <pubDate>Thu, 06 Apr 2023 00:00:00 GMT</pubDate>
            <description><![CDATA[

Recent research carried out in various fields of knowledge have led to significant results, which are also decisively imposed in the sphere of the arts. These contributions expand not only the area of artistic practices (new means of artistic production are established), but also the range of approaches from art theory, related to these practices. Our study illustrates this fact through a review of the scientific literature: articles, specialized publications, monographs and programmatic documents of some relevant institutions. The complexity of the information constellation in which the practice and theory of art are circumscribed, in the recent period, is thus highlighted, which necessarily leads to new specific requirements regarding the instructional design in the field of arts higher education.
]]></description>
            <category>ARTICLE</category>
        </item>
        <item>
            <title><![CDATA[6. The Results of the Pisa Assessment in Dynamics in the Context of General Education in the Republic of Moldova]]></title>
            <link>https://sciendo.com/article/10.2478/rae-2023-0036</link>
            <guid>https://sciendo.com/article/10.2478/rae-2023-0036</guid>
            <pubDate>Thu, 06 Apr 2023 00:00:00 GMT</pubDate>
            <description><![CDATA[

Through the reforms launched during 2009-2020 by the Ministry of Education, Culture and Research of the Republic of Moldova, in cooperation with development partners, they changed their emphasis in education in favor of quality and, respectively, the process of evaluating student results. Updating the National Curriculum made in accordance with the fundamental support Reference framework of the National Curriculum, Basic Curriculum: competency system for general education, analytical support School curriculum evaluation report, etc. and the managerial support provided by the Ministry of Education, Culture and Research of the Republic of Moldova, favored a modern educational system with obvious results in national evaluations.
]]></description>
            <category>ARTICLE</category>
        </item>
        <item>
            <title><![CDATA[8. The Dramatic Literary Text as an Art Object in the Process of Teaching/Learning the French Language in the University Context]]></title>
            <link>https://sciendo.com/article/10.2478/rae-2023-0038</link>
            <guid>https://sciendo.com/article/10.2478/rae-2023-0038</guid>
            <pubDate>Thu, 06 Apr 2023 00:00:00 GMT</pubDate>
            <description><![CDATA[

The given article focuses on the study of the dramatic literary text as an art object used in the process of the teaching/learning French as a foreign language. The dramatic literary text, being one of the main elements of the dramatic art, which in turn is a syncretic one, requires an integrated approach in the interpretation process, both as a literary product and as a performance.
]]></description>
            <category>ARTICLE</category>
        </item>
        <item>
            <title><![CDATA[1. Ways of Placing Megaliths in Space in European Neolithic]]></title>
            <link>https://sciendo.com/article/10.2478/rae-2023-0021</link>
            <guid>https://sciendo.com/article/10.2478/rae-2023-0021</guid>
            <pubDate>Thu, 06 Apr 2023 00:00:00 GMT</pubDate>
            <description><![CDATA[

Monoliths of impressive dimensions, menhirs, dolmens and cromlechs are examples of the megalithic civilization which existed in the area of Afro-Eurasia, from Neolithic up to the Bronze Age included. And in the case of menhirs and dolmens, it is also about isolated presences, and about groups. Alignments are groups specific to menhirs: parallel catenations, equally distanced, of organized stones forming a true spacial composition, with the purpose of symbolizing solemn processions. The cromlech is a complex where many menhirs or/and dolmens were placed in concentric circles, here the spacial composition is even more obvious. The present material will refer also to the most complex and coherent megalithic ensemble in the world: Stonehenge Assembly.
]]></description>
            <category>ARTICLE</category>
        </item>
        <item>
            <title><![CDATA[5. A Possible Way of Approaching the Character in the Theater According to the “Role Sheet”]]></title>
            <link>https://sciendo.com/article/10.2478/rae-2023-0019</link>
            <guid>https://sciendo.com/article/10.2478/rae-2023-0019</guid>
            <pubDate>Thu, 06 Apr 2023 00:00:00 GMT</pubDate>
            <description><![CDATA[

“Match the deed with the word, and the word with the deed. Take care not to exceed the decency and modesty of nature; because everything that exceeds the measure deviates from the goals of the theater, whose purpose from the very beginning and until today is to present a kind of mirror of nature, to show virtue its true face, pride its icon and every age, every era, the pattern and their seal” (Hamlet’s monologue from the play of the same name by W.Shakespeare).
]]></description>
            <category>ARTICLE</category>
        </item>
        <item>
            <title><![CDATA[2. Performance in the Artistic Career Supported by the Practice of Intense Physical Exercises]]></title>
            <link>https://sciendo.com/article/10.2478/rae-2023-0016</link>
            <guid>https://sciendo.com/article/10.2478/rae-2023-0016</guid>
            <pubDate>Thu, 06 Apr 2023 00:00:00 GMT</pubDate>
            <description><![CDATA[

Performance in the artistic career is achieved through a continuous process of learning, education and study, supported and enhanced by an unseen, unnoticed, even often ignored factor like sport. Through this study we can demonstrate that the practice of intense specific type of physical exercises or individual sports can influence and support performance in the visual arts field. Our study we have been carrying out in the past 2 years for a number of 350 student artists who practised a type of sport or a physical activity, including physical education courses in their university curriculum, shows that they experienced better artistic performance in a percentage of 60% compared to those students who practiced less physical exercises. It is well known that training, in a variety of forms, allows increasing the mass of specific group of muscles, but also increasing endurance for longer periods of time. Also, regular physical activity causes an increase in the vascular caliber, which will lead to better oxygenation and a better nutrient supply to the brain. The brain is the most glucose-demanding organ in the body and, at the same time, it functions only in aerobic metabolism. Thus, the increase of vascular caliber through regular sports will determine an increased intracranial pressure, respectively a higher oxygen and glucose consumption. Constant practice of physical exercises will significantly reduce the risk of mental illnesses, and will improve memory, by preventing a series of brain disorders.
]]></description>
            <category>ARTICLE</category>
        </item>
        <item>
            <title><![CDATA[1. Aspects of Interpersonal Communication – the Exchange of Communicative Intentions]]></title>
            <link>https://sciendo.com/article/10.2478/rae-2023-0031</link>
            <guid>https://sciendo.com/article/10.2478/rae-2023-0031</guid>
            <pubDate>Thu, 06 Apr 2023 00:00:00 GMT</pubDate>
            <description><![CDATA[

Communication is a complex process that always involves the exchange of communicative intentions. This paper is one of the efforts to contribute to the shaping of a hybrid theory of interpersonal communication that takes into account various perspectives. The basic approach is that successful communication always involves the exchange of communicative intentions. From this perspective, words do not have an equal relationship, identical to the ideas that a speaker tries to express. The paper presents the different essential characteristics of communication:

➢ it is directed towards objectives;
➢ it is a cooperation effort;
➢ consists of exchanges of ideas between speaker and listener;
➢ is socially anchored.
The paper analyzes the three types of communication intentions:

high-level intentions (beliefs, emotions, etc. that a person wants to provoke in someone else);
medium-level intentions (come in support of the means planned to achieve high-level intentions).
low level intentions (directed towards the means of achieving medium and high level intentions).

Another important aspect, analyzed in the paper is the coordination of intentions in nonverbal communication as well as skepticism in communication. Finally, a person has to make decisions about how to produce certain emotional experiences for others. Whatever the final answer to questions about the roles of intentions in interpersonal communication, researchers must recognize the diversity of ways in which intentions are communicated, highlighting the multitude of possibilities in which meaning can be expressed and understood.
]]></description>
            <category>ARTICLE</category>
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